The introduction gives an overview of Hitchcock's long career, with special attention to the varied influences on his work; themes that run through many of his films, from the 'transference of guilt', to the connection between knowledge and danger; the overlooked importance of his presence within his films, including his famous cameo appearances and characters who represent him...(展开全部)

The introduction gives an overview of Hitchcock's long career, with special attention to the varied influences on his work; themes that run through many of his films, from the 'transference of guilt', to the connection between knowledge and danger; the overlooked importance of his presence within his films, including his famous cameo appearances and characters who represent him...(展开全部)

The classic, Edgar Award-winning biography, published to celebrate the centenary of Hitchcock's birth with a new introduction by the author. This is the definitive life story of Alfred Hitchcock, the enigmatic and intensely private director of Psycho, Vertigo, Rear Window, The Birds, and more than forty other films. While setting forth every stage of Hitchcock's long life an...(展开全部)

Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcoc...(展开全部)

D. A. 米勒（D. A. Miller），加州大学伯克利分校英文系约翰•F. 霍奇斯（John F. Hotchkis）教授，其他著述有《简•奥斯丁，或风格的秘密》（2003）等，他还为《电影季刊》撰写专栏。

A Beautiful Monograph Illuminating the Iconic Images of one of the Most Central and Influential Photographers of the Twentieth Century. Alfred Stieglitz (1864-1946) was a key figure in America's acceptance of photography as a serious form of artistic expression. As founder of the Photo Secession movement and editor of the influential Camera Work, he is one of the most im...(展开全部)

是作者的一段无疾而终的恋情。 以分手的那一天为界，从那一天之前92天写起， 准确地说是以摄影图片（都是真实的）来表现， 一直到那一天之后99天。

罗贝托・波拉尼奥（Roberto Bolaño，1953—2003）出生于智利，父亲是卡车司机和业余拳击手，母亲在学校教授数学和统计学。1968年全家移居墨西哥。1973年波拉尼奥再次回到智利投身社会主义革命却遭到逮捕，差点被杀害。逃回墨西哥后他和好友推动了融合超现实主义、达达主义以及街头剧场的“现实以下主义”（Infrarealism）运动，意图激发拉丁美洲年轻人对生活与文学的热爱。1977年他前往欧洲，最后在西班牙波拉瓦海岸结婚定居。2003年因为肝脏功能损坏，等不到器官移植而在巴塞罗那去世，年仅五十岁。 波拉尼奥四十岁才开始写小说，作品数量却十分惊人，身后留下十部小说、四部短篇小说集以及三部诗集。1998年出版的《荒野侦探》在拉美文坛引起的轰动，不亚于三十年前《百年孤独》出版时的盛况。而其身后出版的《2666》更是引发欧美舆论压倒性好评，均致以...(展开全部)

Paris, 1938. The Peruvian poet Cesar Vallejo is in the hospital, afflicted with an undiagnosed illness, and unable to stop hiccuping. His wife calls on an acquaintance of her friend Madame Reynaud: the Mesmerist Pierre Pain. Pain, a timid bachelor, is in love with the widow Reynaud, and agrees to help. But two mysterious Spanish men follow Pain and bribe him not to treat Vallej...(展开全部)

Paris, 1938. The Peruvian poet Cesar Vallejo is in the hospital, afflicted with an undiagnosed illness, and unable to stop hiccuping. His wife calls on an acquaintance of her friend Madame Reynaud: the Mesmerist Pierre Pain. Pain, a timid bachelor, is in love with the widow Reynaud, and agrees to help. But two mysterious Spanish men follow Pain and bribe him not to treat Vallej...(展开全部)